Review: The Darkest Files (PC)

The Darkest Files digs deep, you know, takes you right into post-war Germany, which is, wow, kind of a gutsy move for a game. You’re basically stepping into the shoes of this young prosecutor, Esther Katz—trying to chase down actual Nazis. Heavy stuff, right? Important, though. But don’t get too excited—this thing’s a rollercoaster of genius and glitches.

So, storytelling. Man, it’s raw. Like, seriously, they didn’t shy away from the real-life horrors buried under layers of red tape and denial. And they nailed the voice acting. Had the good sense to use actual German actors, too. Sounds legit, adds that real punch.

And okay, about the look—it’s got that graphic novel feel, like you’re flipping through a post-war comic. Those muted blues and yellows, they fit like a glove. Stylish but not like, screaming for attention. Just right for this kind of theme.

Digging into the gameplay, it’s all about putting the clues together. Less shouty courtroom drama, more piecing together testimonies with old dusty archives. Slow-paced, for sure, but in a way that makes sense, not snooze-worthy.

But here’s a kicker—it’s pretty short. Like, two full cases and you’re done in maybe six hours? Leaves you hanging, wanting more of that gritty depth. I mean, more DLCs, and I’d be first in line.

The interface though? Ugh, a mess. It’s trying, but feels like you’re wrestling with papers that poof in and out of existence. Bookmark system? There, but not really helpful with that glitch. Frustrating… and here I am. Complaining again.

Yet, with all its wobbly bits, it does something not many games do. Makes you really think about history—what justice even means. Seriously, how many games pull that off nowadays?

The verdict? Even with the bugs and short span, The Darkest Files is unique—a game for those who dig deep narratives. It’s not perfect, but maybe that’s what makes it worth the time. Play it if you want something real.